This seemingly straightforward question will prompt correspondingly straightforward answers from your mixed-ability Year 7 class, such as ‘they were slaves who fought with swords until one of the men died for the crowd's entertainment', as one of my pupils answered. Scratch the surface, and almost every word in this response...

The following plan provides a more detailed practical example of the approaches discussed in the article on using ancient texts. Having puzzled over what ancient texts actually are - carefully constructed interpretations? testimonies? (but testimonies to what?) myths? - I wanted my Ancient History GCSE class to engage in this...

Getting students to generate their own questions can seem like a formidable challenge, even for experienced teachers with extensive subject knowledge developed over years of teaching. Imagine how much more alarming it appeared to a student-teacher being encouraged to take risks by handing more responsibility to the students. Could it...

I wanted to give my Year 8 students ownership of their work on the British Empire by allowing them to suggest our ‘enquiry question'. In order to introduce the Empire, I brought in sugar, spices, bananas, chilli peppers and cotton. I then showed maps demonstrating the Empire at its height....

History teachers have been talking about the need to teach broad narratives, overview and chronology for a long time. They have also recognised how essential it is for students to have an opportunity to study the ways in which the past has been interpreted, and the reasons why these interpretations...

Whether you are have been inspired to emulate the achievements of the Living History group described in this issue's Triumphs Show, or are simply seeking to create some ‘authentic' props for an intriguing starter, or exploratory role-play, Jonathan Davies here explains how you can find out more about historical re-enactment...

How can we interest students in the world of ideas? How can we help them to see how important ideas were in shaping and reflecting the world of the Victorians? Working with the overarching enquiry question, ‘Why did some Victorians believe in progress in the nineteenth century and others did not?’ I devised...

Ever since I started teaching, homework has been something of a bugbear. Administration alone is a hassle: not only remembering when to set and collect it in, but keeping track of the various students who fail to deliver anything on time (except highly creative excuses) and of the follow-up action...

Let's play ‘TOO SIMPLE!' (a.k.a. ‘the generalisation game'). Some years ago, in my own history classroom, in a not-very-inspired moment, I developed a straightforward, low-resource, low-preparation activity which turned out to have more power than I had anticipated in getting pupils to reflect on degree or type of similarity and...

The obvious answer to this question is that teenagers love stories about fire, and especially role plays about martyrdom at the stake! But it is a serious question and a very good historical one. When focusing pupils' attention on ‘historical interpretations' as required by the National Curriculum (both the current...

Question: How can we plan to integrate local history into Key Stage 3 schemes of work so that pupils are engaged by the relevance of the subject across different periods of time? Local history can come in all shapes and sizes, from a large-scale oral history project to the perusal...

How can we plan for a coherent Year 7 that makes the most of the new National Curriculum freedom and its almost limitless possible content? Answer: borders, boundaries (and books) Please note: this article was published before the current 2014 National Curriculum.

What makes someone an Icon? A cunning plan to explore the relative significance of individuals involved in abolishing the slave trade.

School trips are a fantastic opportunity for learning, but they must be planned tightly. Each trip must be carefully justified – what will the students learn which they cannot learn in school? Is this sufficient to justify them (and you) having a day out of the classroom? Does the trip...

Anna Hamilton and Tony McConnell have created a 'Cunning Plan' to tackle to the question, 'Why was Berlin such a significant theatre of conflict after 1945?'.

Cunning Plan for teaching geography: How do earthquakes affect a place?

This five-lesson sequence gradually builds overview understanding of aspects of 19th century social history through a depth study of the campaigner and reformer, Josephine Butler. Through the sequence, pupils build on earlier work on historical significance, first, by reviewing their understanding of the huge range of reasons why things get...

‘Empire’ is an historical concept with a rather imprecise range of meanings. Students need to be able to track their changing understanding of what an empire actually is. Into our workschemes for Years 7 to 13 we have therefore introduced a number of enquiry questions that simultaneously build knowledge about...

This edition of 'Cunning Plan' is a Year 8 lesson on C.V. Wedgwood's writing. There is also a supplementary download commenting on the C.V. Wedgwood text used.

Christine Counsell comments on the C.V. Wedgwood text used for this edition's Cunning Plan.