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Assessment and Progression without levels
Primary History article
The new (2014) Primary History National Curriculum is finally upon us. The first thing you might notice is that the level descriptions have gone. These were first introduced in 1995 and became the mainstay for assessing pupil progression and attainment in Key Stages 1, 2 and 3 across schools in...
Assessment and Progression without levels
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Ideas for Assemblies: Lest we forget
Primary History feature
Over the next three editions of Primary History our assemblies pages will be linked to the theme of commemorating the First World War. We have found that while many teachers wish to remember these events in school, they are unsure how to approach the subject with primary aged children. It...
Ideas for Assemblies: Lest we forget
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Curriculum Planning: which non-European society might we offer at school?
Primary History article
A non-European society that provides contrasts with British history - one study. chosen from:
early Islamic civilization, including a study of Baghdad c. AD 900;
Mayan civilization c. AD 900;
Benin (West Africa) c. AD 900-1300.
That's quite clear then - there's a choice between early Islam, Central America or...
Curriculum Planning: which non-European society might we offer at school?
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Victorians
Primary History article
The Victorians is a much-loved unit of work in many schools and some teachers were disappointed to see it had been removed but there are still ways to continue to teach it under the 2014 National Curriculum. In many localities there will be a huge variety of Victorian buildings - including...
Victorians
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Why stories?
Primary History article
Please note: this article was written before the 2014 National Curriculum and some content and references may no longer be relevant.
During the Early Years and Foundation Stage children should listen to stories, ask how and why and talk about the past (DfE 2012). Young children are comfortable with stories. Through...
Why stories?
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A Beginner's Guide to using visual image in primary schools
Primary History article
Please note: this article pre-dates the 2014 National Curriculum and some content and links may be outdated.
The employment of the visual image is a fascinating and exciting way to enable children to gain a glimpse into the past. It is problematic, however, in that such imagery is often an...
A Beginner's Guide to using visual image in primary schools
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Churches as a local historical source
Primary History Article
At Key Stage 1 children should learn about significant events, (e.g. the Great Fire of London) and about people and places in their locality. At Key Stage 2 they should learn about British settlement by Anglo-Saxons and Scots (e.g. Anglo-Saxon art and culture) and do a local history study (e.g....
Churches as a local historical source
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Mesopotamia: Making a picture of Mesopotamia in our heads
Article
Working in a small rural primary school in North Gloucestershire I was inspired by national news reports from Iraq to change the focus of our Ancient History study from Ancient Egypt to Mesopotamia, ‘the land between the rivers'. A study of this region of the Middle East fulfilled so many...
Mesopotamia: Making a picture of Mesopotamia in our heads
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Slavery in Britain
Primary History article
Images reflect the social customs and attitudes of the society in which they are produced, and we may nowdisapprove of these attitudes. Conversely, our own ideas of what is right and wrong may well have been unacceptable in the past. Among these are the rights accorded to children, the disabled,...
Slavery in Britain
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Case Study: Using Archives Creatively
Primary History article
Editorial note: Further details of this project and others can be found in Using Archives Creatively (Chapter 4) in ‘Teaching History Creatively' edited by Hilary Cooper published by Routledge in December 2012.
Archive Centres support innovative teaching
Using archive documentation
Some teachers, especially those with little training in teaching History,...
Case Study: Using Archives Creatively
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Museums, schools and creativity: How learning can be enhanced
Article
What do we mean by creativity?In the last few years there has been an emphasis on the ‘creative curriculum', ‘creativity' and ‘creative teaching and learning', but there has not always been a shared understanding of what this means. This article uses the definition from ‘Creativity - find it, promote it'...
Museums, schools and creativity: How learning can be enhanced
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Geosong: a transition project
Primary History article
How do we engage young people with their Heritage, answer curriculum needs and make that big leap of transition from primary to secondary school that bit easier?
English Heritage's Geosong treasure hunt website went some way to providing answers. What does the website do? Using handheld GPS devices, groups must...
Geosong: a transition project
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A creative Egyptian project
Primary History article
Ideally when teaching history, teachers will look to deliver projects that will engage and motivate, hopefully making the hard work of being creative stimulating and rewarding, based upon questioning, enquiry, investigation of sources and reaching conclusions grounded in the evidence.Ancient Egypt is one of those history topics which, because it...
A creative Egyptian project
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In My View: Creativity & History
Article
Introduction
A great deal has been written recently defining what is meant by creativity in primary education. And much has been written urging us to ‘teach creatively'. Yet there had been no exploration of what teaching creatively means in terms of teaching history until a group of colleagues and I...
In My View: Creativity & History
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English Heritage's Heritage Explorer
Primary History article
Please note: this article pre-dates the 2014 National Curriculum.
[THINK BUBBLE, has burst, r.i.p... Diogenes, a curmudgeonly Ancient Greek cynic, has taken its place. The original Grumpy Old Man Diogenes typically looks back to a mythical golden age]
Introduction
Unfortunately I'm old enough to remember a time when primary school...
English Heritage's Heritage Explorer
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Case study 3: All hands on deck!
Primary History article
Editorial note: A perfect complement to Barbara's articles is Helen Horler's. ‘ARTEFACT HANDLING AT BRUNEL'S SS GREAT BRITAIN ...Touch, Look, Listen, Smell - But Please Don't Taste' in Primary History 54, 2010.
Introduction: Time Helmet
For those who yawn at the prospect of yet another "famous person", and wonder how...
Case study 3: All hands on deck!
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Creating a school museum
Primary History case study
Using an artefacts loans service Within the UK there is a wealth of museums and heritage sites across the country, offering children, young people and teachers the chance to experience a hands on approach to history and telling the story of our past. However if you are unable to visit...
Creating a school museum
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Making use of outstanding resources in museums
Primary History article
‘An embarrassment of riches' is not an inappropriate description of the new ancient Egyptian galleries in the Ashmolean Museum in Oxford. The Ashmolean has always been famous for its Egyptian collection, being the product of the work of Oxford academics for over a 100 years, but the problem in the...
Making use of outstanding resources in museums
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Co-ordinators' concerns: Visits and Ofsted
Primary History article
Since Ofsted published its 2012 new guidance for the inspection of schools, it seems that aspects such as visits will not be a high priority. What advice can I give to the senior management team in response to its pressure to avoid these kind of frills?
Ofsted will judge the...
Co-ordinators' concerns: Visits and Ofsted
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Visual literacy: Look, talk, write - Using a picture to extend vocabulary
Primary History article
Editorial note: Primary History's theme edition on Visual Literacy, PH 49, Summer 2008, addressed the role of visual literacy in developing pupil language: spoken, enacted and written.
Introduction - words for pictures
Stimulus - child engagement
Some years ago, a friend's eight year old daughter arrived with a pack of...
Visual literacy: Look, talk, write - Using a picture to extend vocabulary
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Reading into writing
Primary History article
Introduction: Interactive Whole Class - Teaching, Textbreaker & EXIT
Demonstration and modelling relies upon pupils being able to read the text that is being modelled, including the most demanding document. Accordingly the Nuffield Primary History Project developed a whole class interactive teaching strategy to support pupil reading of difficult and...
Reading into writing
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History and language
Primary History article
Pupil writing is present at every point in studying history - from initial questioning to the writing and presentation of a finished piece of work. Children continually explore, acquire and build upon both existing and new historical vocabulary and phrases, p. 30. Writing depends totally upon pupils' linguistic knowledge and...
History and language
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Multi-modality and writing history
Primary History article
We all now live in the digital age.
The smart phone, kindle, i-pad and computer mean children are immersed and interact in a digital world of moving, still and spoken images. They are also able to communicate digitally socially: for example, Twitter and Facebook. Social media facilitate social as well...
Multi-modality and writing history
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Walter Tull: Sport, War and Challenging Adversity
Resource packs and schemes of work for KS1 and KS3
Schemes of work and resource packs
Produced by the Northamptonshire Black History Association and originally published in 2008, these packs comprise a teachers' resource book and a schemes of work booklet of 10 activities for teachers to use in the classroom.
The resource book contains a description of how to use this resource,...
Walter Tull: Sport, War and Challenging Adversity
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Time, Chronology, language and story
Primary History article
Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated.
Time, although an extremely complex, abstract concept, is one that begins to develop in children's minds as soon as they are born. Although it cannot be seen or touched and leaves no visible trace, very young...
Time, Chronology, language and story
