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The teaching and learning of history for 15-16 year olds: have the Japanese anything to learn from the English experience
Teaching History article
What would you expect the differences to be between Japan and England in how pupils learn history in the post-14 phase? Perhaps your guess would be: Japanese school students learn a lot of historical facts and focus upon their own identity and English school students talk a lot more in...
The teaching and learning of history for 15-16 year olds: have the Japanese anything to learn from the English experience
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Triumphs Show 148.2: using pupil dialogue to encourage engagement with sources
Teaching History feature
Using pupil dialogue to encourage sophisticated engagement with source material - even at GCSE!
Frustrated by the mechanistic approach that their pupils were using when working with historical sources, Tim Jenner and Paul Nightingale sought to experiment with a method of teaching sources which eschewed practice source questions in favour...
Triumphs Show 148.2: using pupil dialogue to encourage engagement with sources
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Working with sources: scepticism or cynicism? Putting the story back together again
Teaching History article
Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated.
Many history teachers will remember the feature on Jamie Byrom's teaching in Times Educational Supplement of July 1996 where he attacked the recent fashion of history textbooks for encouraging only short (and usually formulaic) responses...
Working with sources: scepticism or cynicism? Putting the story back together again
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Time's arrows? Using a dartboard scaffold to understand historical action
Teaching History article
Arthur Chapman presents a task-specific scaffold - a ‘dart' board - designed to teach students how to interrogate sources of information so that these become sources of evidence for particular claims about past actions, beliefs and aims. Chapman also uses his ‘dart' board to foster students' reflection on the degrees of...
Time's arrows? Using a dartboard scaffold to understand historical action
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New, Novice or Nervous? 160: Progression in evidential understanding
Teaching History feature
You have a wealth of fascinating sources you would love to explore with students but despair at their seeming inability to connect ‘source work' with the construction of historical claims. Year 7 get stuck in the ‘it's biased so we can never know' trap again and again. Year 9 students...
New, Novice or Nervous? 160: Progression in evidential understanding
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Cunning Plan 152.1: visual sources
Teaching History feature
The principles outlined here were developed in response to three key concerns. The first was consideration of the needs of students learning English as an additional language who face particular challenges with reading and writing.
Images could perhaps offer them more direct, less abstract, ways into an understanding of challenging...
Cunning Plan 152.1: visual sources
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Film: What's the wisdom on... Evidence and sources
Your Virtual History Department Meeting
We’ve been talking to our secondary school members and we know how difficult life is for teachers in the current circumstances, so we wanted to lend a helping hand.
'What’s the wisdom on…' is a new and already popular feature in our secondary journal Teaching History and provides the perfect stimulus for a...
Film: What's the wisdom on... Evidence and sources
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'Didn't we do that in Year 7?' Planning for progress in evidential understanding
Teaching History article
Christine Counsell describes a lively activity, ideal for Year 9, in which pupils compare and interrelate a collection of sources. The activity leads pupils into thinking about the sources as a collection, and about the enquiry as an evidential problem. Or at least it can do. The article discusses the...
'Didn't we do that in Year 7?' Planning for progress in evidential understanding
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Practical demonstration: powerful and rigorous history teaching for all
Teaching History article
In this article, Ian Luff returns to the theme of ‘practical demonstration’ which he developed in three articles twenty years ago. Luff restates his original rationale for the enduring power of the approach, advances some new reasons why history teachers should give serious attention to it and shares several practical examples...
Practical demonstration: powerful and rigorous history teaching for all
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Dialogue, engagement and generative interaction in the history classroom
Teaching History article
Michael Bird has a long-standing interest in the power of classroom dialogue, not only as a means of elicting students’ prior knowledge or checking their understanding of new ideas and information, but also as a powerful tool for generating new knowledge through a collective process of meaning-making. In this article, he...
Dialogue, engagement and generative interaction in the history classroom
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Using The Wipers Times to build an enquiry on the First World War
Teaching History article
Teaching ‘the lesson of satire': using The Wipers Times to build an enquiry on the First World War
‘Blackadder for real' is how the British journalist and broadcaster, Ian Hislop, characterised The Wipers Time, the newspaper published on the front line by members of the 12th Battalion Sherwood, and recently brought...
Using The Wipers Times to build an enquiry on the First World War
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‘What is history?’ Africa and the excitement of sources with Year 7
Teaching History article
Many history departments choose to begin their Year 7 curriculum with an introduction to the nature of history and the processes in which historians engage as they develop, refine and substantiate claims about the past. In this article, Adbul Mohamud and Robin Whitburn report on an such an introductory unit, designed with a specific focus on the history...
‘What is history?’ Africa and the excitement of sources with Year 7
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Frameworks for linking pupils' evidential understanding with growing skill in structured, written argument: the 'evidence sandwich'
Teaching History article
Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated.
History teachers are increasingly good at designing exercises which develop skill in evidence analysis. The ubiquitous ‘source' is invariably analysed for utility and reliability. But how do pupils integrate such understandings with extended written work?...
Frameworks for linking pupils' evidential understanding with growing skill in structured, written argument: the 'evidence sandwich'
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Gladstone spiritual or Gladstone material? A rationale for using documents at AS and A2
Teaching History article
Rather than taking a sledgehammer approach to planning for the new AS and A2 courses Gary Howells has used the opportunity to reflect on characteristics of students' historical learning in the post-16 phase. He argues for a much fuller rationale for using documents than mere preparation for exams or coursework....
Gladstone spiritual or Gladstone material? A rationale for using documents at AS and A2
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Triumphs Show 157: What makes art history?
Teaching History feature: celebrating and sharing success
What do 14 Year 7 students, an art teacher, a history teacher and the Victoria and Albert Museum have in common? They are all part of the ‘Stronger Together' Museum Champion project run by The Langley Academy and the River & Rowing Museum and supported by Arts Council England, designed to...
Triumphs Show 157: What makes art history?
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Using visual sources to generate conversation
Teaching History article
Jane Card has long been fascinated by the power of visual sources to stimulate pupil thought and discussion. In previous articles she has shared insights from her own expert practice, fusing deep subject knowledge with careful planning to generate highly skilful questioning. Here she presents another rich example of classroom...
Using visual sources to generate conversation
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Stepping into the past: using images to travel through time
Teaching History article
Please note: this article pre-dates the 2014 National Curriculum and some content may be outdated.
Pupils are eternally curious about their teachers. Do they really have lives outside the classroom? Could Miss Jones have once been a child? Does she have parents and grandparents and a past of her own?...
Stepping into the past: using images to travel through time
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Using visual sources to understand the arguments for women's suffrage
Teaching History article
Visual sources, Jane Card argues, are a powerful resource for historical learning but using them in the classroom requires careful thought and planning. Card here shares how she has used visual source material in order to teach her students about the women's suffrage movement. In particular, Card shows how a...
Using visual sources to understand the arguments for women's suffrage
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‘Miss, what’s the point of sources?’ Helping Year 11 to understand the discipline
Teaching History article
Clare Bartington noticed that her students’ focus on the specific kinds of question used in examinations appeared to have undermined their understanding of how historians actually use sources. Instead of approaching the traces or ‘leftovers’ of the past as potential sources of evidence in relation to a particular question, her students believed...
‘Miss, what’s the point of sources?’ Helping Year 11 to understand the discipline
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Evidential understanding, period knowledge and the development of literacy: a practical approach to 'layers of inference' for Key Stage 3
Teaching History article
Claire Riley explains how she developed and improved the ‘layers of inference' diagram-already a popular device since Hilary Cooper's work-as a way of getting pupils fascinated by challenging texts and pictures. Working with the whole ability range in Year 9 she analyses her successes and failures, offering many practical suggestions...
Evidential understanding, period knowledge and the development of literacy: a practical approach to 'layers of inference' for Key Stage 3
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Developing awareness of the need to select evidence
Teaching History article
Let's play Supermarket ‘Evidential' Sweep: developing students' awareness of the need to select evidence
Despite having built a sustained focus on historical thinking into their planning for progression across Years 7 to 13, Rachel Foster and Sarah Gadd remained frustrated with stubborn weaknesses in the evidential thinking of students in...
Developing awareness of the need to select evidence
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Broadening Year 7’s British history horizons with Welsh medieval sources
Teaching History article
Hiscox wanted to broaden her students’ understanding of the complexity of the British past, and developed an enquiry into the Norman Conquest of Wales to help achieve that aim. Hiscox reports her enquiry design and its outcomes, sharing how she broadened both content and the types of sources that students...
Broadening Year 7’s British history horizons with Welsh medieval sources
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Cunning Plan 191: diving deep into ‘history from below’ with Year 8
Article
Can the ‘subaltern’ speak, Year 8s?
When the Indian scholar and literary theorist Gayatri Chakravorty Spivak asked this question in 1988, she wasn’t asking Year 8s on a Monday morning. What she wanted to explore was whether those marginalised people written out of the archive – ‘the subaltern’ – could...
Cunning Plan 191: diving deep into ‘history from below’ with Year 8
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Transatlantic slavery – shaping the question, lengthening the narrative, broadening the meaning
Teaching History article
Nathanael Davies explains his radical rethink of how to teach transatlantic slavery. He explains how he came to question his earlier approach of focusing on the causation of ‘abolition’ and ‘emancipation’ and, instead, allowed scholarship, sources and his own students’ meaning-making to guide him to a different, and much more...
Transatlantic slavery – shaping the question, lengthening the narrative, broadening the meaning
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Beyond slavery
Teaching History article
Influenced by her own experiences, preliminary research, and recent political events, Teni Oladehin sought to thoroughly review how Black history was introduced to her students at Key Stage 3. In particular, she aimed to introduce Black history with an ‘authentic’ narrative which brought Black agency into the foreground. In this article, Oladehin shows how an enquiry on the significance of Mansa Musa both...
Beyond slavery
