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  • Year 9 - Connecting past, present and future

      Teaching History article
    Possible futures: using frameworks of knowledge to help Year 9 connect past, present and future How can we help pupils integrate history into coherent ‘Big Pictures' or mental frameworks? Building on traditions of classroom research and theorising reported in earlier editions of Teaching History, Dan Nuttall reports how his department set...
    Year 9 - Connecting past, present and future
  • New, Novice or Nervous? 151: Getting beyond bad ‘source work'

      Teaching History feature
    This page is for those new to the published writings of history teachers. Every problem you wrestle with, other teachers have wrestled with too. Quick fixes don't exist. But if you discover others' writing, you'll soon find - and want to join - something better: an international conversation in which...
    New, Novice or Nervous? 151: Getting beyond bad ‘source work'
  • Knowledge and the Draft NC

      Teaching History article
    Silk purse from a sow's ear? Why knowledge matters and why the draft History NC will not improve it Katie Hall and Christine Counsell attempt to construct a Key Stage 3 scheme of work out of the draft National Curriculum for history that was released for consultation in England in...
    Knowledge and the Draft NC
  • Developing students' thinking about change and continuity

      Teaching History article
    The more things change, the more they stay the same: developing students' thinking about change and continuity Finding ways to characterise the nature of change and continuity is an important part of the historian's task, yet students find it particularly challenging to do. Building on her previous work on change, Rachel...
    Developing students' thinking about change and continuity
  • A question of attribution: working with ghetto photographs

      Teaching History article
    Holocaust imagery is very familiar, clichéd even. How can we get pupils thinking about it in novel ways and seeing differently? Phillips reports work completed with his PGCE students, proposes a scaffold of questions with which to deconstruct images and applies it to  archive images and to Hollywood representations. Images...
    A question of attribution: working with ghetto photographs
  • The International Journal Volume 9 Number 2

      IJHLTR
    International Journal of Historical Learning, Teaching and Research Volume 9, Number 2 - Autumn/Winter 2010 ISSN 1472-9466   1. Editorial Hilary Cooper and Jon Nichol. 04 2. Articles Eleni Apostolidou 06 Oscillating Between the Recent Past and the Remote Past: The Perceptions of the Past and the Discipline of History...
    The International Journal Volume 9 Number 2
  • Historical Fiction: warts and all

      Historian article
    The perception is that, for historical fiction, this is the best of times. It has never been more popular: witness the 2012 Christmas day schedule-jostling between Downton Abbey and Call the Midwife. It has never been more literary: witness Hilary Mantel winning her second Man Booker prize for Bring Up the...
    Historical Fiction: warts and all
  • How can there be a true history?

      Historian article
    "How can there be a true history, when we see no man living is able to write truly the history of the last week?" (Thomas Shadwell) Indeed! Once when I had to give a talk in Spain, I found this quotation by looking up ‘history' in the Oxford English Dictionary....
    How can there be a true history?
  • The Historian 117: Historical Fiction

      The magazine of the Historical Association
    4 Review - Lincoln 5 Editorial 6 "How can there be a true history, when we see no man living is able to write truly the history of the last week?" - Lindsey Davis (Read Article) 11 The President's Column 12 1066: The Limits of our Knowledge - Marc Morris (Read Article)...
    The Historian 117: Historical Fiction
  • Thematic or sequential analysis in causal explanations

      Teaching History article
    Struck by what he saw as the complexity, artistry and cognitive achievement of historians' narrative accounts, Robin Kemp decided to explore ways of teaching his pupils to write narrative and to analyse the role of such writing in developing various kinds of historical thinking. Working with Year 8 and Year...
    Thematic or sequential analysis in causal explanations
  • Primary History 63: History & Creativity

      The primary education journal of the Historical Association
    Editorial and In My View 04 Editorial - history and creativity 05 Creativity and history - Hilary Cooper (Read article) Features 08 A creative Egyptian project - Caitlin Bates (Read article) 09 Diogenes - WHITHER CREATIVITY?! A consideration of the article Creativity and the Primary Curriculum - Peter Vass (Read...
    Primary History 63: History & Creativity
  • Case Study: Constructing women's past and gender perspective

      Primary History article
    Pupils as Journalists Background of the Study Historiography has expanded to include all social groups and identities in the community. The social historiographical approach became extremely important in the 20th century (Cooper, 2007, pp. 41-2). In parallel with social historiography and related second wave feminism, women began to write their...
    Case Study: Constructing women's past and gender perspective
  • Case Study: The history club

      Primary History article
    Editorial note: this is an introductory article on the History Club concept: Primary History 64, summer 2013, on History and the new 2014+ National Curriculum for History will provide a vade mecum for schools to develop their own History Clubs. .... sometimes we use the past and today, modern times,...
    Case Study: The history club
  • Case Study: Using Archives Creatively

      Primary History article
    Editorial note: Further details of this project and others can be found in Using Archives Creatively (Chapter 4) in ‘Teaching History Creatively' edited by Hilary Cooper published by Routledge in December 2012. Archive Centres support innovative teaching Using archive documentation Some teachers, especially those with little training in teaching History,...
    Case Study: Using Archives Creatively
  • Case Study: Creative exploration of local, national and global links 1650

      Primary History article
    Introduction: Linking two schools Rather than looking to create connections with schools in distant places, two teachers from two schools located in different parts of the city of Bristol established a successful link which enabled children to appreciate the personal and local histories on each other's doorsteps. 7/8 year old [year...
    Case Study: Creative exploration of local, national and global links 1650
  • Case study: Creative approaches to learning about the Bristol blitz

      Primary History article
    The University of the West of England, Bristol has strong partnerships with many local schools and is developing innovative ways in working with trainees, teachers and children. The approach taken to learning about the Bristol Blitz provides an example of this partnership.  The Bristol Blitz day The day was planned to...
    Case study: Creative approaches to learning about the Bristol blitz
  • Case Study: Promoting creativity, empathy and historical imagination

      Primary History article
    Empathy and Imagination Creativity, imagination and historical empathy are concepts with different meanings although interrelated in the field of historical learning (Lee, 1984; Shemilt, 1984, Ashby & Lee, 1987). According to Lee (1984) concepts such as empathy, understanding and imagination are connected in complex ways in history. Lee discusses the...
    Case Study: Promoting creativity, empathy and historical imagination
  • Case Study: Creative chronological thinking

      Primary History article
    Personal biographies I often ask groups to collect and record their own personal chronologies. They are asked to bring in evidence to tell the stories of their own lives or of the life of a relative, which they will then weave into a ‘photo book' story. The photo books become...
    Case Study: Creative chronological thinking
  • Thematic or topic based whole school curriculum planning

      Primary History article
    Creative curricular planning With the National Curriculum under review, it seems that more schools are taking a creative approach to planning by delivering the curriculum through a focused theme or topic. This has allowed schools to take more ownership of the curriculum and has helped teachers become more innovative in their...
    Thematic or topic based whole school curriculum planning
  • Creativity in teaching and learning at the Geffrye Museum

      Article
    Learning and education has always been an essential and central part of the Geffrye museum's purpose. Twice winners of the highly prestigious Sandford Award for Heritage Education, most recently in 2012, our professional learning team works with a broad range of audiences to develop and deliver a wide variety of...
    Creativity in teaching and learning at the Geffrye Museum
  • Geosong: a transition project

      Primary History article
    How do we engage young people with their Heritage, answer curriculum needs and make that big leap of transition from primary to secondary school that bit easier? English Heritage's Geosong treasure hunt website went some way to providing answers. What does the website do? Using handheld GPS devices, groups must...
    Geosong: a transition project
  • Creating the 'creative history' website

      Primary History article
    Editorial note: The role of ICT in the Digital Age is a major, perhaps even, the major factor, in enhancing creativity in the learning and teaching of history. This paper illuminates another dimension of ICT in the Digital Age and creativity. It shows how a teacher's creativity  has produced a...
    Creating the 'creative history' website
  • OFSTED, primary history and creativity

      Primary History article
    Co-ordinators concerns: OFSTED, primary history and creativity I'm told the emphasis in schools now is for a rigorous approach to history where the children are taught the main facts and features of history. I recall a time not so long ago when the whole curriculum was about creativity but surely...
    OFSTED, primary history and creativity
  • Diogenes: Creativity and the Primary Curriculum

      Primary History article
    Diogenes: WHITHER CREATIVITY?! A consideration of the article Creativity and the Primary Curriculum In June 2010 the journal Primary Headship included an article entitled Creativity and the Primary Curriculum which endeavoured to pull together a range of positions as to where the curriculum might be going in the immediate future. These...
    Diogenes: Creativity and the Primary Curriculum
  • A creative Egyptian project

      Primary History article
    Ideally when teaching history, teachers will look to deliver projects that will engage and motivate, hopefully making the hard work of being creative stimulating and rewarding, based upon questioning, enquiry, investigation of sources and reaching conclusions grounded in the evidence.Ancient Egypt is one of those history topics which, because it...
    A creative Egyptian project